He is a man. Despite his protestations to the contrary, despite how much he insists that he is little better than a demon spat from the jaws of Hell itself he is, in fact, just a man. A boy some gentler souls might say, full of wonder for the things that the rest of this faded humanity take for granted. In many ways he is a child, lost in his own imaginings, in the dreams and nightmares he has woven for himself within the safety of his Opera House. It is why his own human desires are so difficult to comprehend. It is why it is Nadir who suggested to him how to satisfy them and why Erik could not think of the solution himself.
It is why he has surfaced from deep below Paris so early in the evening when there are as many people wandering the lamp lit streets as there is at noon. He has even gone to the trouble of dressing appropriately for the occasion, though he cannot be entirely certain what that entails. He is wearing his finest suit and a black frock coat made of soft vicuna wool as well as his usual fedora, the brim pulled down to hide his shame in shadow.
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He is in the more questionable slums of Paris where the poor and inhuman seem to perpetually hover upon the pavement, selling their crumbling dignity for a scrap of material wealth. He is in Pigalle, the red-light district of Paris, known for its endless entertainment of prostitutes, drink and drugs. Among the other buildings is the red windmill of the Moulin Rouge, turning lazily, proudly, beckoning those on the street inside.
Erik doesn't dare venture nearer. The Moulin Rouge is for the upper classes of Paris to enjoy an evening of sinful pleasures. It is likely that many of their customers are also patrons of the Populaire, a luxury for only the rich and powerful to indulge in. He has no business there.
Instead, he directs his attention to the labyrinth of cobbled alleyways, littered with the homeless and the inebriated. Occasionally there was a couple stuffed into a corner, growling and giggling at each other. Erik passes them by without so much as a glance. His goal is further afield, in the streets of Montmartre. He climbs the stairs leading up the hill quickly, passing a couple linked arm in arm. He doesn't see their curious gaze as they watch him disappear around the corner.
There she is, standing expectantly near a streetlight, her eyes roaming over the park in front of her. Erik hesitates by the mouth of an alley, suddenly uncertain. He knows he'll regret this decision at some point, perhaps not now but certainly soon. Something will go amiss. The light breath of wind on the back of his neck makes him shudder and, for a moment, he turns back and glances in the direction he came.
"Monsieur?"
He freezes just as he is about to make a swift exit and trudge back, defeated, to his Opera House, ready to hide within the depths of Paris for another ten years before risking venturing out again. What should he do? Should he escape while he still can?
"Monsieur?" The woman nears him, her hips barely swaying as she clips forward in her too tight dress but it was enough to entice a stare. She was not beautiful in the conventional sense. She was unlike Christine in every way. This woman is certainly older, the lines around her eyes and mouth indicating either a life of laughter or sadness. Erik can't decide which. And she's tall, perhaps only a few inches shorter than Erik himself though he notices the high heel of her shoes as his eyes roam from her hips and down her legs.
She saunters closer and holds a hand out to him, like a lady greeting a gentleman. "I have been expecting you."
It is all the persuasion he requires.
[ooc: In celebration of Erik's one year LJ anniversary XD Though he hasn't been very active recently, since writing this I realize how much I really miss writing Phantom. Expect a revival of this journal :D]</div>